Wow, Pulitzer-Prize winning photographer Vincent Laforet has done it again! This time with Canon’s brand-new 1D Mark IV and a film shot at ISO6400. And SmugMug’s got it in all it’s full 1080p hi-def glory, of course.
UPDATE: Canon, whom I love, has requested that Vincent take the video down. As a courtesy to both Vincent and Canon, we have done so, but hope to put it back up again as soon as they give us the green light. Read more about it over on Vincent’s blog. Sorry for the inconvenience.
My father and I got our 5D MkIIs on Friday and we could hardly wait for the batteries to charge. He took his to SF to test its vaunted low-light performance and posted this 60-second 1080p clip (along with other resolutions) on his SmugMug site: Click to watch it auto-sized for your monitor or check out the full 1080p resolution (caution – *high* bandwidth! UPDATE: Apologies if you tried to watch 1080p on Windows earlier. My bug made it look terrible. Try again, please?).
Here’s his story:
“I had seen Vincent Laforet’s amazing short film, but only in 720p. I knew what an amazing photographer he is and wondered how close an everyman like me could come to footage like that. Could the clips possibly hold up to viewing in 1080p?”
“So with only an hour’s practice shooting my dog licking peanut butter and the neighbor’s kids running in their yard, I left for the city to compare myself to a Pulitzer Prize-winning photographer with his helicopter, pricey stabilizer, models, set lighting, and post-production experts. I had a few hours and a tripod. What we had in common was the 5D.”
“At first, shooting video on the 5D makes you feel stupid. You’re holding the camera out in front while you look at the LCD on the back and use completely different buttons. I was always wondering if it was in focus, especially at the wide apertures I thought you probably needed at night.”
“How dark was too dark? I’d point at things that seemed impossibly dark, like the fishing boats you saw lit with mostly a string of Christmas lights on the bow of one. But I couldn’t tell how noisy the clips were on the viewfinder, so I held my breath and set the camera at ISO 3200. Why? ‘Cus it was lower than ISO 6400…”
“I had just one sekret weapon, same as Vincent: a Canon 200mm f/2.0 lens, not exactly an everyman item. It made a difference and I used it for maybe half the shots, including the opening clip of the couple kissing at Grace Cathedral, the rotating jewelry in the shop window, the hotel entrances, and the TV reporter. The city skyline was shot with an f/4 lens and it’s noisy. I also used an 85mm f/1.2 for scenes like the cable car, and toys in shop windows.”
“Dog and kid shots look amazing too, but I have to be honest: I missed many shots of fast-moving kids that I would have gotten with my video camera. Maybe I just need figure out how to juggle zooming, focus, and having the controls scattered across the back of the camera, but it felt like I needed three hands and the skillz of a Cirque du Soleil juggler.”
“So which camera for filming my grandkids? Now there’s a question… This calls for some serious 5D time to answer. Even my wife approves of that message.”
BTW, if anyone else out there is shooting 1080p video with cameras like this and would like their SmugMug Pro accounts to allow 1080p video, let us know. That feature is currently in beta, but we’d love to get a few more people using it. 🙂
Pulitzer Prize-winning photographer Vincent Laforet got his hands on a Canon 5D MkII for a weekend. Rather than shoot some quick stills, he rounded up an entire film crew and put them to work using the amazing 1080p video capture it offers – in helicopters, no less! When SmugMug heard about this, we went bananas and offered to host both the short film itself, Reverie, as well as the behind-the-scenes footage:
Also, you can see the Behind the Scenes footage (want it in HD?):
Then we went a little more bananas, and ponied up $25K to sponsor a community-created film led by Vincent, with another $25K to follow if other sponsors get on the train. We think this camera is truly a game-changer and we’re thrilled to help visionaries like Vincent prove it to the world.
Now, the astute geeks in the audience will note that Reverie isn’t hosted in 1080p, but instead is at 720p. I wish it weren’t so, and we’re actively trying to get our hands on the 1080p footage right out of Final Cut so we can let everyone take a peek – but it’s not our footage, so I don’t actually have it. I believe Canon may be putting it online themselves, but if they don’t, I’ll do everything I can to put it up – so stay tuned to Vincent’s blog as well as my own.
Man I love this industry! Thanks Canon!